FUTURE FOX – On the #FRINGE. Or #GLEE with success?

FOX has been playing with their network shows (FRINGE, GLEE) and how fans can interact with them via re-runs and tweets.  The idea was/is to interact with the talent behind the show(s). I am a HUGE fan of the general concept.  However, the method of which they did so, is poor at best.

This is what I call a real SOCIAL (media) EXPERIMENT. Just not sure they did much research before they released it to the public. Some may call it a marketing train-wreck.  

I love the “pushing the envelop” side of it, but it just doesn’t work. Doesn’t make sense to me – not with these shows.  There is a time and a place. The time to watch entertainment most (if not all) believe should be separated from the interaction with those that produce it. In fact, I would even argue that viewers who are really into a show, enjoy the “escapism” of the characters and the story-lines. By it’s definition, that is what entertainment is?  I do see a great opportunity for cast, crew, creators to all become evangelists to help market the content.

As a marketer of entertainment content for over 15 years, I strongly urge creators to learn how best to use their personal brand in an effective manner, and one that is also closely coordination with the overall arcing campaign of the show, film, etc. I actually wrote a blog about this http://johnayers.posterous.com/co-branding-entertainment   I believe what FOX was trying to do is correct, the execution was not. A high profile actor or director has a great opportunity to market their entertainment brand, but there must be marketing strategy behind it.

I think it’s time I offer social media training for content creators (actors, directors, writers, producers) so as to assist them on best practices in entertainment social media marketing. This is one of the topics that we discuss at the #entsm weekly tweetchat. Join in the discussion every Tuesday, 8PM PDT on Twitter using the hashtag #entsm.

In the long run, this may be a case of even bad press may be better than no press at all. A lot of people are talking about @GLEE because of this experiment.  Anyway, enough of my thoughts… lets see what the fans said.

Read below to see what the fans told FOX.

You can follow FOX on Twitter http://twitter.com/foxbroadcasting

Tweet-peat Update

Thank you to everyone who participated in last night?s FRINGE Tweet- peat special event!  We?ve read through all the fan feedback.  While many people were thrilled with the opportunity to interact with the FRINGE cast and producers, others felt the on-screen graphics made it difficult to follow the broadcast.  We?ve listened and have used these comments and suggestions to help us make a few adjustments to tonight?s GLEE Tweet-peat special.


Don?t forget that Tweet-peats are unique events for repeat episodes only.

Tonight?s GLEE Tweet-peat will air at 9 PM ET/PT.  During this encore airing of the GLEE pilot, both east and west coast broadcasts will feature LIVE tweeting by the cast.

Thank you.

Tags: 

40 Responses to ?Tweet-peat Update?

  1. C85774a1d59651949edc0fa63ad073

    Roberta Pitkin Says: 

    Distracting, You can either watch the show or read the twitter, should be optional for those who do not care to see

  2. 5ef5dfe29ded2ed231288dd36820b0

    Dick Says: 

    the tweet were distracting and non enhancing to the show. If you want that kid if childish interation please keep is on another area and let the programing be seen for what it was intended!!!

  3. 843338b3a5b99d0dbcf686e7d0fe0b

    Lakaya M. Peeples Says: 

    did not like the tweet peat?.there should be an option to disable them. I use closed captioning and the tweets and the captions and the picture on the screen?.was like watching a 3 way tag team with no winner. it was irritating enough to make me want to change the channel altogether. the only reason i didn?t is it was the one episode I missed.

    Please dont let this become a pattern. did you know that a closed caption tv has 3 levels minimum and most have advanced levels. cc1 and cc2 are usually for captions, you can put the tweets on txt 1 or cc2 as cc1 is used most often?that gives the viewer the choice of watching it on screen or not. esspecally since they can watch it on twitter live at the same time.

    think about it huh?

  4. 977638460f1029538c3e75e017b8e5

    judy rushing Says: 

    i did not like it even for the reruns. i had not seen that one and was looking forward to it and you ruined it for me. right i cannot go anywhere because for right now i can not drive. thank you

  5. 808b9b041fb2cd6938ee872054651d

    shari duff Says: 

    I absolutely, positively love this show and am so glad it was renewed for another season. Looked up String Theory and am still totally confused, but I can relate to other dimensions, realities, or whatever you call them. Hope the cow is in for some awesome adventures. Yes, the Tweet graphics were a distraction, but since it was a repeat, who cares??..it was interesting to get a glimpse of the path that this show ?may? take. I can hardly wait for the first new show of the season. I am waiting for you guys to rock my world !!!!!!!!!

  6. 163864c367d30cbce6ff2c00acdcc6

    Ken Says: 

    Though I enjoyed watching and sending messages, my wife (a Twitter non-user) found the episode unwatchable with the tweets. I wonder how it affected the ratings.

  7. Fox?s Fringe ?Twitter on TV? Experiment Irks Fans Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  8. Ea05e80290491242d0ad440dc6c662

    johnathan bailey Says: 

    I did not like seeing the retarded comments about so and so coming over to watch the show. i wanted to watch the show not see tweeting

  9. Fox?s Fringe ?Twitter on TV? Experiment Irks Fans | Techdare Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  10. Fox?s Fringe ?Twitter on TV? Experiment Irks Fans Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  11. Social Media News & Web tips – Fox?s Fringe ?Twitter on TV? Experiment Irks Fans Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  12. 3b292c9717cb893b95a39869b17e98

    Alonzo Golden Says: 

    Very cool!

  13. Aac555f07005a07a49c26f22bf8db1

    Mysty Johnson Says: 

    I love the Fringe !!!!!! Concepts and ideas. Radical and can?t wait for more episodes. These shows are like the dreams I have. Weird and complicated. Absolutely freaky how some ideas mimic episodes I have experienced. Flipping between dimensions? seeing things not really there. All the stuff good fiction is made of. Cannot express enough how much I love this series.

  14. 2daa9e4c24a5a4b0b8ab8075af36dc

    Ashok Patel Says: 

    Get teh Tweet-peats off the programs. Really stupid idea and I will not tune in to any show that his it.

    Thanks,

    Ashok

  15. Ab96a097f677f903c6e421eb88a105

    Rob Says: 

    I?m TRYING to watch TV, but now you?ve ruined a couple shows by having Tweets (morons following morons) covering part of the screen. If I want to read, I?ll open a book, or magazine. I can?t believe more than one person actually thought this was a good idea.

    I?ll be switching to another station now.

  16. Fox?s Fringe ?Twitter on TV? Experiment Irks Fans | World News Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  17. Af3226d04287bbca799e92321d1373

    Mike Carey Says: 

    This is so damn annoying! Stop this fucking twit-tering damn twits!

  18. C553e3af97d7af778c3dc2f8eaa45d

    Brooke Says: 

    End this maddness
    stupid comments
    nothing but distraction
    Fringe is special show
    don?t mess it up

  19. TumbleTech ? Fox?s Fringe ?Twitter on TV? Experiment Irks Fans Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  20. Fox?s Fringe ?Twitter on TV? Experiment Irks Fans | TechDozer.Com Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  21. Fd6ec00d923ee282adaf3f09bbca07

    Susan D Says: 

    Way to catch onto a trend and beat it to death. Let Twitter be.

  22. Fox?s Fringe ?Twitter on TV? Experiment Irks Fans | Increase Targeted Web Site Traffic Says: 

    […] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]

  23. 3a8038542310878f4b454b44247723

    Vin Sugent Says: 

    The tweet-peat makes me want to stick a fork in my eye. Please stop. I turned off Glee.

  24. 0f614e386590a40860dfae7f34fa51

    Elaine Douglas Says: 

    I am a big fan of Fringe but if you do this twitter thing again I will never ever watch the show again. It was very annoying to have the bottom third of the screen obliterating the scene with stupid comments. It was distracting and adolescent.
    Fringe is amusing and clever. There was nothing amusing and clever about Twitter.
    If you do this on any o

Hulu beats out Time Warner Cable with more viewers in July

When will people watch more entertainment on line than the do on their TV.

In some respects it may already be the case.

However you slice it… it is not a matter of ‘IF’ – but a matter of ‘WHEN’.

In fact, I just posted (http://tinyurl.com/lkzt3w) a recent article that spoke about the consumer wanting Web/TV at the same time.
I think this is the tip of the ice-berg.

Hulu had more viewers in July than Time Warner Cable

Sep 3, 2009 3:58 PM

In July, roughly 38 million people watched a video on Hulu, which was more than the 34 million subscribers to Time Warner Cable, one of the nation?s largest MSOs, in that same month.

The statistics were reported by comScore, an Internet market research firm, which pointed out that cable companies such as Time Warner and Comcast still generate much more revenue than Hulu and are still much more important to the TV networks whose shows appear on both platforms.

(To calculate cable viewers, comScore multiplied the companies? end-of-June video subscribers by 2.59, the U.S. Census Bureau’s most recent stat for average persons per household.)

The report does not include figures on how long viewers watched a particular video on Hulu, but the numbers do indicate that Internet-based video sites like Hulu and YouTube are gaining traction with consumers of video content.

One of the turning points in television?s transition to the Internet began with the establishment of Hulu, which launched publicly March 12, 2008. It carries the programs of several networks and cable channels. An estimated one in four Internet viewers now watches the Hulu service, which uses Adobe?s Flash technology. Hulu is jointly owned by News Corp (FOX), NBC Universal and Disney (ABC).

http://broadcastengineering.com/news/hulu-had-more-viewers-in-july-than-time-warner-090709/

I LOVE THIS! How 20 of the top websites looked at launch; Google, Facebook, Yahoo, MySpace, Youtube, Apple and more

I LOVE THIS!

think you will too!

How 20 popular websites looked when they launched

From Google to youtube, from craigslist to flickr – how some of today’s biggest sites looked back in the early days of their existence.

Remember the days when the word Google was not interchangeable with internet? Or when every site seemed to have a Netscape icon on it? Or when Flash was still something you cleaned your floor with? Then you were clearly using the web in the mid to late 1990s when pages were rudimentary affairs containing lists of links and information.
Thanks to the waybackmachine internet archive, we’re still able to see some of the Web 1.0 and Web 2.0 pioneers looked in their earliest incarnations.
1. google.com – launched in 1996
Google_1473879a

2. facebook.com – launched in 2004
Facebook_1473443a

3. myspace.com – launched in 2003
Myspace_1473488a

4. yahoo.com – launched in 1994
Yahoo_1473490a

5. youtube.com – launched in 2005
Youtube_1473492a

6. wikipedia.org – launched in 2001
Wikipedia_1473629a

7. msn.com – launched in 1995
Msn_1473498a

8. apple.com – launched in 1987 (screenshot from 1996)
Apple_1473503a

9. drudgereport.com – launched in 1997
Drudgereport_1473507a

10. amazon.com – launched in 1995
Amazon_1473510a

11. twitter.com – launched in 2006
Twitter_1473517a

12. whitehouse.gov – launched in 1994
Whitehouse_1473523a

13. craigslist.org – launched in 1995
Craigslist_1473542a

14. nytimes.com – launched in 1995
Nytimes_1473550a

15. news.bbc.co.uk – launched in 1997
Bbcnews_1473555a

16. dell.com – launched in 1996
Dell_1473602a

17. friendsreunited.com – launched in 2000
Friendsreunited_1473603a

18. telegraph.co.uk – launched in 1994
Telegraph_1473607a

19. blogger.com – launched in 1999
Blogger_1473614a

20. flickr.com – launched in 2004
Flickr_1473621a

Nielsen Study: Can TV and the Internet both survive?

Admit it! You have had music playing, with the TV on, as you are surfing the web, responding to an email, while writing a blog, and sending out one more tweet, as you pick up your cell phone… right?  OK, so maybe not THAT extreme, but the digital age has put us in a unique position to multi-task the globe’s information from your desk-top.

The entertainment pie use to be split up into just a few newspapers, magazines, a local silent movie and a maybe radio show. Several decades later, a dozen TV channels were added, splitting up the pie into smaller pieces. Eventually those dozen channels became hundreds. The gaming industry exploded; the internet grew momentum, mobile devices, social media, and the list goes on. Now it is all meshed together into a consumer’s dream. 

What the consumer wants, when they want, where they want, how they want. The consumer is in control and the content producers are trying to figure out how to best reach them, how to monetize the entertainment and how to survive.

Does the consumer of entertainment go to TV or the Web more? Or both? Survey Says!
We discuss topics precisely as this one at the weekly #entsm tweetchat – http://pitch.pe/21628 

This recent study takes a look at this very issue.
Thanks Nielson, thanks Alex Dobuzinskis.

Viewers hunger for Web and TV at same time: study

Wed Sep 2, 2009 7:19pm EDT

By Alex Dobuzinskis

LOS ANGELES (Reuters) – U.S. television viewers are increasingly turning on the Web, tuning into television and not missing a beat on either, as simultaneous TV and Internet use continues to rise, research firm Nielsen said on Wednesday.

Nielsen said in a report that 57 percent of TV viewers in the U.S. who have Internet access use both mediums at the same time at least once a month. That translates to more than 128 million U.S. consumers.

As the heightened importance of the Web changes the way Americans watch TV, industry executives and marketers are considering ways to adjust their broadcast shows and play into viewers’ simultaneous use of the Internet.

“What we’re finding is that there’s a connection between the two media, and that innovative marketers can take advantage of that,” said Gary Holmes, a spokesman for Nielsen.

“One medium can be used to reinforce the other,” he said.

Broadcasters can expect some viewers will turn to the Web to learn more about their shows, but they have to be wary of losing the attention of their viewers.

The Nielsen study found the average TV viewer who uses the Internet simultaneously does that for 2 hours and 40 minutes a month, and that 28 percent of the time they are on the Web at home, they are also watching television.

The percentage of time U.S. consumers watch TV and use the Internet simultaneously is about the same as a similar Nielsen study from last year, but the total number of individuals doing that rose because more of them have the Web, Holmes said.

The report also found TV consumption in the United States continues to increase, with the average viewer watching 141 hours per month, a 1.5 percent rise from a year ago.

Holmes said even as viewership of videos on the Internet and on mobile phones increases, Americans still prefer to watch video on their television, as shown by how many more hours they spend in front of the tube.

“The possibility of watching (video) anyplace has really increased dramatically, but really the rule of thumb is that you watch it on the best screen,” he said.

(Reporting by Alex Dobuzinskis: Editing by Bob Tourtellotte)

Look out Disney, NBC, Time Warner, Viacom. Discovery Comm. chief David Zaslav is transforming television.

This is a case where I find am researching myself in the demographic.

A few years ago, I would check out Discovery for a interesting program I may have heard about. Or if I just couldn’t find anything else on the Tube. Now the Discovery network and it’s branding has captured our household’s attention and we have it dialed in.It appears, (as one would assume) this is by no accident. In fact David Zaslav seems to be at the controls and is the one transforming as in still happening the network and it’s future.

Take a look at this article. Mr Zaslav is only just gettin’ started. The next few years may prove to be … shall we say interesting for Discover and it’s partners.

http://www.usatoday.com/money/media/2009-09-01-discovery-zaslav_N.htm#

Discovery chief David Zaslav transforms television company
Updated 12h 13m ago |  Comments 3  |  Recommend 5 E-mail | Save | Print | Reprints & Permissions | 
By Andre Chung, for USA TODAY
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Discovery chief David Zaslav is responsible for tremendous growth and diversification at the company globally.

 ABOUT DAVID ZASLAV
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Born: Brooklyn, N.Y.
College: Binghamton University (State University of New York), bachelor’s degree in business; Boston University Law School.
First job: Lawyer at Dewey & LeBoeuf
Family: Married; 3 teen children
Big break: In 1989, NBC hired Zaslav to help build its cable operation, starting with CNBC.
Favorite book: Positively Fifth Street: Murderers, Cheetahs, and Binion’s World Series of Poker by James McManus. “I love poker, and I’ve read almost every poker book.”
Favorite (non-Discovery) TV show: Saturday Night Live.
Musical tastes: “My kids laugh at me because I’m stuck on two channels on Sirius (Satellite Radio): Bruce Springsteen and the ’70s channel.”
Hobbies: “I play tennis well and golf poorly.”
Best advice: From former General Electric CEO Jack Welch: “To win, you need talent and a plan and have to work harder and faster than the other guys.”

NEW YORK ? If you like stories about lions, polar bears and especially sharks stalking their prey in the wild, you can always watch that on the Discovery Channel. But if you prefer a tale about a tenacious corporate animal poised to challenge the kings of television, take a look at the channel’s parent company, Discovery Communications, and its kinetic CEO, David Zaslav.

Zaslav, former chief of NBC Universal‘s cable services, assumed his place in the big media Serengeti in 2007 when he took charge of Discovery (DISCA), which has 13 channels in the U.S. including Animal Planet and TLC.

Since then, he has grabbed attention with initiatives designed to transform what was becoming an also-ran television service into a vigorous worldwide rival to giants including Disney, NBC Universal, News Corp., Time Warner and Viacom.

“He’s rejuvenated Discovery and taken it to a different level, which is really pretty tricky,” says former NBC Universal CEO Bob Wright, who was Zaslav’s boss for about 20 years and now is a senior adviser at Lee Equity Partners. “They’ve re-created the novelty of what Discovery was in the mid-1990s.”

About 885,000 viewers were tuned in to Discovery’s channels at any point through the day in the second quarter, up 10.4% vs. the same period last year with shows such as Discovery’sDeadliest Catch and MythBusters, Animal Planet’s Whale Warsand TLC’s hit Jon & Kate Plus 8.

Zaslav, 49, says the best is yet to come. The Brooklyn-born former lawyer plans to launch a women’s channel with Oprah Winfrey in early 2010, and a kids’ channel with Hasbro later next year. He’s also talking with director Steven Spielbergabout producing high-profile shows about science.

“The first thing (Spielberg) told me was that his kids’ TVs are set to our channels,” Zaslav says. “Our channels are interesting and safe. Then he went on to talk about how he spent the whole weekend watching (old episodes of) Deadliest Catch to get ready for (this season’s) premiere episode. When you think about Discovery, it opens any door.”

Keeping an eye on all-important ad sales

Yet survivors in the Darwinian world of cable programming need compelling shows and marketing, not just star power. For example, Winfrey’s widely publicized role as a co-founder of women’s channel Oxygen in 2000 wasn’t enough to keep it from being an also-ran service before NBC Universal bought it in 2007.

Zaslav’s plans also may seem too extravagant if ad sales, which account for 45% of his company’s revenue, don’t pick up in a big way. Discovery is “not immune from the broader ad market, and every network owner has to fight for ratings every day,” says Gabelli & Co. analyst Christopher Marangi.

Still, Wall Street is optimistic. Discovery’s shares have rocketed 55% to $21.68 so far this year, a period when the benchmark Standard & Poor’s 500 has appreciated 10.5%. That’s due in part to its status as one of just two pure-play cable programming stocks (the other is Scripps Networks): They look good in a recession because about half of their revenue is guaranteed; it comes from payments by cable and satellite operators.

Investors also like the fact that Discovery owns almost all of the predominantly non-fiction programming it airs. These shows appeal to audiences around the world ? including growing markets such as India and China. About a third of Discovery’s revenue comes from outside the USA.

Bernstein Research expects net income from continuing operations to increase 114% this year to $559 million on revenue of $3.48 billion, up 1.2%.

“David’s been reaching out for talent and energy in a number of directions, and it’s reflected in the success so far of the business,” says Liberty Media Chairman John Malone, a Discovery board member who controls 31.3% of the votes from his stakes in the company’s three classes of stock. “What can you say? The guy’s been terrific.”

Zaslav has succeeded in part by injecting show-biz pizazz to his most popular channels.

At Animal Planet, “The original theory was that all the programming should be rated G,” Zaslav says. “But the animal kingdom isn’t rated G. A lot of those stories about nature and animals involve mysteries and danger. So we relaunched Animal Planet as a more aggressive and compelling brand. And we’re finding some meaningful success.”

The bullish case for the company, though, is based on faith that Zaslav will give an adrenalin shot to some of Discovery’s widely distributed channels that have failed to excite viewers and advertisers.

“A lot of the channels we have, no one’s ever heard of,” he says.

The company has already turned Discovery Wings into the Military Channel, Discovery Home into the ecology focused Planet Green and Discovery Times into Investigation Discovery, which is devoted to true crime stories.

The boldest makeover will take place at Discovery Health, which reaches 76 million homes, when Winfrey transforms it into OWN: The Oprah Winfrey Network. The hope is that Winfrey’s mantra, that people should live their best lives, will be as successful on cable as O, The Oprah Magazine has been for her company, Harpo, and Hearst.

“Look at some of the (television) talent she has developed: Dr. PhilDr. OzRachael Ray? all these people,” Zaslav says. “She has a great eye for talent. If we can own this niche, then this could be a very big channel for us.”

He has a lot riding on this attempt to draw viewers and advertisers from established women’s services, including Lifetime and WE. In addition to the channel that Discovery contributed to the joint venture, it agreed to lend $100 million through 2011 ? to be paid back only if it’s profitable. Winfrey contributed her website, Oprah.com, and the library of her daily TV shows.

Kids are a big part of Discovery’s future

The venture with Hasbro appears more straightforward. The toy company paid $300 million in May for 50% ofDiscovery Kids, which reaches 55 million homes. It will manage and relaunch the service under a new name, still undetermined, with several shows based on Hasbro games, including Scrabble and Trivial Pursuit, and toys such as G.I. Joe, Transformers and My Little Pony.

“Young people today consume more than eight hours of media over a six-hour period, so they’re looking at multiple formats at once,” says Hasbro CEO Brian Goldner. “We’re going to provide our content in a number of different formats that they can enjoy in a complementary way between the network, smartphones, online and off-channel.”

That may be a shrewd strategy, but some activists say it’s a lousy idea to blur the line in kids’ minds between entertainment and advertising.

“It’s another slide down that slippery slope,” says Susan Linn, director of the Campaign for a Commercial-Free Childhood. “Discovery presents itself as pro-environment, but they just bought into a channel that sells kids lots of plastic junk.”

Zaslav says that the partners are determined to produce high-quality shows. “Kids are smart, and creating an infomercial about a toy wouldn’t work ? and we wouldn’t allow that to happen,” he says.

Discovery needs to stay on good terms with parents and kids: One of its fastest-growing businesses is Discovery Education. Subscribing schools get streamed video clips that illustrate lessons that their state’s mandated curriculum requires them to teach. The service, which recently became profitable, serves 60% of all schools that have computers in their classrooms, and 90% of the ones that use a streaming video service.

That pipeline to the classroom could become quite valuable as schools increasingly see online services as economical, engaging and always-current alternatives to textbooks. Discovery is already considering potential partnerships with textbook companies.

Discovery “has bitten off a lot” with its far-flung initiatives, Malone says. That means, “The challenge now is execution.”

To address that, Zaslav has called on a Murderers’ Row of cable executives to rival the 1927 Yankees and has given them wide latitude to run channels as independent businesses. For example, he has former Viacom CEOTom Freston advising OWN, former Fox Kids chief Margaret Loesch running the new venture with Hasbro, and former Court TV and Hallmark Channel chief Henry Schleiff at Investigation Discovery.

Meanwhile Zaslav immerses himself in a frenzied schedule of meetings and trips to sets of his TV productions, where he’s simultaneously cheerleader, counselor and decision-maker.

“The CEO shouldn’t be doing everything,” Wright says. “But the CEO is responsible for creating morale, high expectations and making sure that people are able to do things: You can’t ask people to do things if they don’t have the resources and the know-how. And he seems to have pulled together that organization in such a fashion that they’ve been able to do some very clever and successful things.”

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@RedHourBen REALLY GETS IT!

Ben Stiller gets it!
He jumped into social media feet first, started swimming and never stopped.

As you may recall, I have spoken about the amazing value of celebrity personal brands, http://tinyurl.com/krep56 and yet so few seem to utilize this opportunity.
Ben Stiller does. Joining his comedic expertise, and leveraging his high-profile personal brand (not to mention his celebrity relationships) he is doing a solid job, and seems to be having fun in the process.  
Fans are enjoying it too.
@redhourben has 187,000+ followers and 1,2 mil facebook fans…http://www.facebook.com/BenStiller

Hope @redhourben and other industry tweeple (did I just use that term) join the next #entsm tweetchat. 
Tuesdays, 8PM PDT.  http://pitch.pe/21628 
John

Stiller: There’s Something About Twitter

Ben recruits pals for videos that mock – and embrace – social media

By JERE HESTER
Updated 1:34 AM PDT, Fri, Aug 28, 2009

 

 

Stiller-640

Getty Images
In Mickey Rooney‘s hey day as the nation’s biggest box office star some 70 years ago, his most famous movies centered around him rallying pals to put on a show, usually in a barn.
Rooney, who is pushing 90, recently was recruited for another kind of impromptu let’s-put-on-a-show production – by Ben Stiller, who is churning out homemade videos satirizing social media.
In a hilarious YouTube short posted a couple weeks ago, Stiller tries to explain Twitter to a dumbfounded Rooney. “You find this fun and interesting?” he asks Stiller. “It’s not wholesome.”
On Tuesday, Stiller debuted a new video in which he lures Ryan Seacrest to a meeting under the pretense of discussing co-starring in a “bromance” movie – and instead asks for a “shoutout” to help him get more Twitter followers.
“I don’t even talk to anybody that has less than 900,000 followers,” the “American Idol” host and popular tweeter snaps. “Call Al Yankovic.”
Stiller, who also chronicled the debut of his Facebook page in a video, is among the comic stars of his generation who are mocking – yet tacitly embracing – social media.
Conan O’Brien’s “Twitter Tracker” gag, which lampoons celebrity tweets, is one of the breakout bits from his nascent “Tonight Show” reign. Stephen Colbert tweets in the voice of his blowhard conservative character. “The amount of Twitter followers is directly proportional to your patriotic manliness,” reads one typical post.
The efforts show a sharp and timely comic sensibility, as well as a grudging respect for the power and reach of social media.
No less an authority than Sean (Diddy) Combs preaches that cultivating fans through social media is crucial to celebrity success. “The game has changed,” Combs told Reuters this month. “You have to understand how to be able to brand yourself… you need to have a great Facebook page”
While Twitter has proven a valuable source of serious information, most notably in distributing reports about the political turmoil in Iran, it’s content is increasingly entertainment driven, judging from the trending topics, Mashable notes. There’s also a growing belief in Hollywood that instant word of mouth on Twitter can determine whether some movies sink or swim at the box office.
Stiller’s videos mark an attempt to forge a direct connection with the fans he’s hoping will keep buying tickets for his movies, by giving them a few free laughs. The folks at Twitter are in on the joke, and are perhaps laughing hardest. Twitter co-founder Biz Stone posted the Stiller-Seacrest short on the site’s blog Wednesday.
Rooney, meanwhile, is riding the social media wave into entertainment history: His mass media career has taken him from silent movies to YouTube stardom. “There’s always more to learn,” he told Stiller.
Check out Stiller’s videos and see what the all the twittering’s about.

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Hester is founding director of the award-winning, multi-media NYCity News Service at the City University of New York Graduate School of Journalism. He is the former City Editor of the New York Daily News, where he started as a reporter in 1992. Follow him on Twitter.
First Published: Aug 27, 2009 8:13 PM PDT