“Chocolate Rain” Original Song by Tay Zonday
A YouTube sensation. Continues to grow.
“Chocolate Rain” Original Song by Tay Zonday
A YouTube sensation. Continues to grow.
Thank you to everyone who participated in last night?s FRINGE Tweet- peat special event! We?ve read through all the fan feedback. While many people were thrilled with the opportunity to interact with the FRINGE cast and producers, others felt the on-screen graphics made it difficult to follow the broadcast. We?ve listened and have used these comments and suggestions to help us make a few adjustments to tonight?s GLEE Tweet-peat special.
Don?t forget that Tweet-peats are unique events for repeat episodes only.
Tonight?s GLEE Tweet-peat will air at 9 PM ET/PT. During this encore airing of the GLEE pilot, both east and west coast broadcasts will feature LIVE tweeting by the cast.
Thank you.
Sep 3, 2009 3:58 PM
In July, roughly 38 million people watched a video on Hulu, which was more than the 34 million subscribers to Time Warner Cable, one of the nation?s largest MSOs, in that same month.
The statistics were reported by comScore, an Internet market research firm, which pointed out that cable companies such as Time Warner and Comcast still generate much more revenue than Hulu and are still much more important to the TV networks whose shows appear on both platforms.
(To calculate cable viewers, comScore multiplied the companies? end-of-June video subscribers by 2.59, the U.S. Census Bureau’s most recent stat for average persons per household.)
The report does not include figures on how long viewers watched a particular video on Hulu, but the numbers do indicate that Internet-based video sites like Hulu and YouTube are gaining traction with consumers of video content.
One of the turning points in television?s transition to the Internet began with the establishment of Hulu, which launched publicly March 12, 2008. It carries the programs of several networks and cable channels. An estimated one in four Internet viewers now watches the Hulu service, which uses Adobe?s Flash technology. Hulu is jointly owned by News Corp (FOX), NBC Universal and Disney (ABC).
http://broadcastengineering.com/news/hulu-had-more-viewers-in-july-than-time-warner-090709/
LOS ANGELES (Reuters) – U.S. television viewers are increasingly turning on the Web, tuning into television and not missing a beat on either, as simultaneous TV and Internet use continues to rise, research firm Nielsen said on Wednesday.
Nielsen said in a report that 57 percent of TV viewers in the U.S. who have Internet access use both mediums at the same time at least once a month. That translates to more than 128 million U.S. consumers.
As the heightened importance of the Web changes the way Americans watch TV, industry executives and marketers are considering ways to adjust their broadcast shows and play into viewers’ simultaneous use of the Internet.
“What we’re finding is that there’s a connection between the two media, and that innovative marketers can take advantage of that,” said Gary Holmes, a spokesman for Nielsen.
“One medium can be used to reinforce the other,” he said.
Broadcasters can expect some viewers will turn to the Web to learn more about their shows, but they have to be wary of losing the attention of their viewers.
The Nielsen study found the average TV viewer who uses the Internet simultaneously does that for 2 hours and 40 minutes a month, and that 28 percent of the time they are on the Web at home, they are also watching television.
The percentage of time U.S. consumers watch TV and use the Internet simultaneously is about the same as a similar Nielsen study from last year, but the total number of individuals doing that rose because more of them have the Web, Holmes said.
The report also found TV consumption in the United States continues to increase, with the average viewer watching 141 hours per month, a 1.5 percent rise from a year ago.
Holmes said even as viewership of videos on the Internet and on mobile phones increases, Americans still prefer to watch video on their television, as shown by how many more hours they spend in front of the tube.
“The possibility of watching (video) anyplace has really increased dramatically, but really the rule of thumb is that you watch it on the best screen,” he said.
(Reporting by Alex Dobuzinskis: Editing by Bob Tourtellotte)
? Thomson Reuters 2009 All rights reserved
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Zaslav, former chief of NBC Universal‘s cable services, assumed his place in the big media Serengeti in 2007 when he took charge of Discovery (DISCA), which has 13 channels in the U.S. including Animal Planet and TLC.
Since then, he has grabbed attention with initiatives designed to transform what was becoming an also-ran television service into a vigorous worldwide rival to giants including Disney, NBC Universal, News Corp., Time Warner and Viacom.
“He’s rejuvenated Discovery and taken it to a different level, which is really pretty tricky,” says former NBC Universal CEO Bob Wright, who was Zaslav’s boss for about 20 years and now is a senior adviser at Lee Equity Partners. “They’ve re-created the novelty of what Discovery was in the mid-1990s.”
About 885,000 viewers were tuned in to Discovery’s channels at any point through the day in the second quarter, up 10.4% vs. the same period last year with shows such as Discovery’sDeadliest Catch and MythBusters, Animal Planet’s Whale Warsand TLC’s hit Jon & Kate Plus 8.
Zaslav, 49, says the best is yet to come. The Brooklyn-born former lawyer plans to launch a women’s channel with Oprah Winfrey in early 2010, and a kids’ channel with Hasbro later next year. He’s also talking with director Steven Spielbergabout producing high-profile shows about science.
“The first thing (Spielberg) told me was that his kids’ TVs are set to our channels,” Zaslav says. “Our channels are interesting and safe. Then he went on to talk about how he spent the whole weekend watching (old episodes of) Deadliest Catch to get ready for (this season’s) premiere episode. When you think about Discovery, it opens any door.”
Keeping an eye on all-important ad sales
Yet survivors in the Darwinian world of cable programming need compelling shows and marketing, not just star power. For example, Winfrey’s widely publicized role as a co-founder of women’s channel Oxygen in 2000 wasn’t enough to keep it from being an also-ran service before NBC Universal bought it in 2007.
Zaslav’s plans also may seem too extravagant if ad sales, which account for 45% of his company’s revenue, don’t pick up in a big way. Discovery is “not immune from the broader ad market, and every network owner has to fight for ratings every day,” says Gabelli & Co. analyst Christopher Marangi.
Still, Wall Street is optimistic. Discovery’s shares have rocketed 55% to $21.68 so far this year, a period when the benchmark Standard & Poor’s 500 has appreciated 10.5%. That’s due in part to its status as one of just two pure-play cable programming stocks (the other is Scripps Networks): They look good in a recession because about half of their revenue is guaranteed; it comes from payments by cable and satellite operators.
Investors also like the fact that Discovery owns almost all of the predominantly non-fiction programming it airs. These shows appeal to audiences around the world ? including growing markets such as India and China. About a third of Discovery’s revenue comes from outside the USA.
Bernstein Research expects net income from continuing operations to increase 114% this year to $559 million on revenue of $3.48 billion, up 1.2%.
“David’s been reaching out for talent and energy in a number of directions, and it’s reflected in the success so far of the business,” says Liberty Media Chairman John Malone, a Discovery board member who controls 31.3% of the votes from his stakes in the company’s three classes of stock. “What can you say? The guy’s been terrific.”
Zaslav has succeeded in part by injecting show-biz pizazz to his most popular channels.
At Animal Planet, “The original theory was that all the programming should be rated G,” Zaslav says. “But the animal kingdom isn’t rated G. A lot of those stories about nature and animals involve mysteries and danger. So we relaunched Animal Planet as a more aggressive and compelling brand. And we’re finding some meaningful success.”
The bullish case for the company, though, is based on faith that Zaslav will give an adrenalin shot to some of Discovery’s widely distributed channels that have failed to excite viewers and advertisers.
“A lot of the channels we have, no one’s ever heard of,” he says.
The company has already turned Discovery Wings into the Military Channel, Discovery Home into the ecology focused Planet Green and Discovery Times into Investigation Discovery, which is devoted to true crime stories.
The boldest makeover will take place at Discovery Health, which reaches 76 million homes, when Winfrey transforms it into OWN: The Oprah Winfrey Network. The hope is that Winfrey’s mantra, that people should live their best lives, will be as successful on cable as O, The Oprah Magazine has been for her company, Harpo, and Hearst.
“Look at some of the (television) talent she has developed: Dr. Phil, Dr. Oz, Rachael Ray? all these people,” Zaslav says. “She has a great eye for talent. If we can own this niche, then this could be a very big channel for us.”
He has a lot riding on this attempt to draw viewers and advertisers from established women’s services, including Lifetime and WE. In addition to the channel that Discovery contributed to the joint venture, it agreed to lend $100 million through 2011 ? to be paid back only if it’s profitable. Winfrey contributed her website, Oprah.com, and the library of her daily TV shows.
Kids are a big part of Discovery’s future
The venture with Hasbro appears more straightforward. The toy company paid $300 million in May for 50% ofDiscovery Kids, which reaches 55 million homes. It will manage and relaunch the service under a new name, still undetermined, with several shows based on Hasbro games, including Scrabble and Trivial Pursuit, and toys such as G.I. Joe, Transformers and My Little Pony.
“Young people today consume more than eight hours of media over a six-hour period, so they’re looking at multiple formats at once,” says Hasbro CEO Brian Goldner. “We’re going to provide our content in a number of different formats that they can enjoy in a complementary way between the network, smartphones, online and off-channel.”
That may be a shrewd strategy, but some activists say it’s a lousy idea to blur the line in kids’ minds between entertainment and advertising.
“It’s another slide down that slippery slope,” says Susan Linn, director of the Campaign for a Commercial-Free Childhood. “Discovery presents itself as pro-environment, but they just bought into a channel that sells kids lots of plastic junk.”
Zaslav says that the partners are determined to produce high-quality shows. “Kids are smart, and creating an infomercial about a toy wouldn’t work ? and we wouldn’t allow that to happen,” he says.
Discovery needs to stay on good terms with parents and kids: One of its fastest-growing businesses is Discovery Education. Subscribing schools get streamed video clips that illustrate lessons that their state’s mandated curriculum requires them to teach. The service, which recently became profitable, serves 60% of all schools that have computers in their classrooms, and 90% of the ones that use a streaming video service.
That pipeline to the classroom could become quite valuable as schools increasingly see online services as economical, engaging and always-current alternatives to textbooks. Discovery is already considering potential partnerships with textbook companies.
Discovery “has bitten off a lot” with its far-flung initiatives, Malone says. That means, “The challenge now is execution.”
To address that, Zaslav has called on a Murderers’ Row of cable executives to rival the 1927 Yankees and has given them wide latitude to run channels as independent businesses. For example, he has former Viacom CEOTom Freston advising OWN, former Fox Kids chief Margaret Loesch running the new venture with Hasbro, and former Court TV and Hallmark Channel chief Henry Schleiff at Investigation Discovery.
Meanwhile Zaslav immerses himself in a frenzied schedule of meetings and trips to sets of his TV productions, where he’s simultaneously cheerleader, counselor and decision-maker.
“The CEO shouldn’t be doing everything,” Wright says. “But the CEO is responsible for creating morale, high expectations and making sure that people are able to do things: You can’t ask people to do things if they don’t have the resources and the know-how. And he seems to have pulled together that organization in such a fashion that they’ve been able to do some very clever and successful things.”
Where entertainment, humanity, science all connect. If you haven’t seen it yet, you might want to check out The Human Family Tree airing on Nat Geo.
My Facebook friends, my Twitter followers, my linked-in connections and my Posterous blog readers are actually my brothers and sisters.
Roberta Pitkin Says:
September 4th, 2009 at 4:25 pm
Distracting, You can either watch the show or read the twitter, should be optional for those who do not care to see
Dick Says:
September 4th, 2009 at 5:06 pm
the tweet were distracting and non enhancing to the show. If you want that kid if childish interation please keep is on another area and let the programing be seen for what it was intended!!!
Lakaya M. Peeples Says:
September 4th, 2009 at 5:07 pm
did not like the tweet peat?.there should be an option to disable them. I use closed captioning and the tweets and the captions and the picture on the screen?.was like watching a 3 way tag team with no winner. it was irritating enough to make me want to change the channel altogether. the only reason i didn?t is it was the one episode I missed.
Please dont let this become a pattern. did you know that a closed caption tv has 3 levels minimum and most have advanced levels. cc1 and cc2 are usually for captions, you can put the tweets on txt 1 or cc2 as cc1 is used most often?that gives the viewer the choice of watching it on screen or not. esspecally since they can watch it on twitter live at the same time.
think about it huh?
judy rushing Says:
September 4th, 2009 at 5:19 pm
i did not like it even for the reruns. i had not seen that one and was looking forward to it and you ruined it for me. right i cannot go anywhere because for right now i can not drive. thank you
shari duff Says:
September 4th, 2009 at 5:20 pm
I absolutely, positively love this show and am so glad it was renewed for another season. Looked up String Theory and am still totally confused, but I can relate to other dimensions, realities, or whatever you call them. Hope the cow is in for some awesome adventures. Yes, the Tweet graphics were a distraction, but since it was a repeat, who cares??..it was interesting to get a glimpse of the path that this show ?may? take. I can hardly wait for the first new show of the season. I am waiting for you guys to rock my world !!!!!!!!!
Ken Says:
September 4th, 2009 at 5:23 pm
Though I enjoyed watching and sending messages, my wife (a Twitter non-user) found the episode unwatchable with the tweets. I wonder how it affected the ratings.
September 4th, 2009 at 6:02 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
johnathan bailey Says:
September 4th, 2009 at 6:07 pm
I did not like seeing the retarded comments about so and so coming over to watch the show. i wanted to watch the show not see tweeting
September 4th, 2009 at 6:11 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
September 4th, 2009 at 6:14 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
September 4th, 2009 at 6:15 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
Alonzo Golden Says:
September 4th, 2009 at 6:18 pm
Very cool!
Mysty Johnson Says:
September 4th, 2009 at 6:23 pm
I love the Fringe !!!!!! Concepts and ideas. Radical and can?t wait for more episodes. These shows are like the dreams I have. Weird and complicated. Absolutely freaky how some ideas mimic episodes I have experienced. Flipping between dimensions? seeing things not really there. All the stuff good fiction is made of. Cannot express enough how much I love this series.
Ashok Patel Says:
September 4th, 2009 at 6:24 pm
Get teh Tweet-peats off the programs. Really stupid idea and I will not tune in to any show that his it.
Thanks,
Ashok
Rob Says:
September 4th, 2009 at 6:29 pm
I?m TRYING to watch TV, but now you?ve ruined a couple shows by having Tweets (morons following morons) covering part of the screen. If I want to read, I?ll open a book, or magazine. I can?t believe more than one person actually thought this was a good idea.
I?ll be switching to another station now.
September 4th, 2009 at 6:36 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
Mike Carey Says:
September 4th, 2009 at 6:46 pm
This is so damn annoying! Stop this fucking twit-tering damn twits!
Brooke Says:
September 4th, 2009 at 6:51 pm
End this maddness
stupid comments
nothing but distraction
Fringe is special show
don?t mess it up
September 4th, 2009 at 6:56 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
September 4th, 2009 at 7:01 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
Susan D Says:
September 4th, 2009 at 7:15 pm
Way to catch onto a trend and beat it to death. Let Twitter be.
September 4th, 2009 at 7:20 pm
[…] Fox appears to be listening to the feedback from the Tweet-peat trial run. In a blog post today they indicated they?ve made some interface adjustments in time for tonight?s Glee […]
Vin Sugent Says:
September 4th, 2009 at 7:29 pm
The tweet-peat makes me want to stick a fork in my eye. Please stop. I turned off Glee.
Elaine Douglas Says:
September 4th, 2009 at 7:33 pm
I am a big fan of Fringe but if you do this twitter thing again I will never ever watch the show again. It was very annoying to have the bottom third of the screen obliterating the scene with stupid comments. It was distracting and adolescent.
Fringe is amusing and clever. There was nothing amusing and clever about Twitter.
If you do this on any o